Impressive stuff. John Gardner gives Ian Fleming a run for his money, bringing Bond into the modern-ish era in a style which probably fits Pierce Brosnan's 007 if anything. Fleming had the tendency to overindulge in unnecessary scenic detail which sometimes made getting from page to page seem a great effort. No such problems here; Gardner's novels seem more stripped down and he shows respect for the Bond in previous book by referring briefly to old missions and the death of his wife to SPECTRE. This link to his past is a nice touch. The setting of Ireland is intriguing, especially Bond rubbing shoulders with some of the underworld characters and gives this story a real freshness. Ödül maması köpeğinizin ilgisini casino çekeceği için size karşı iyi duygular beslemesine yardımcı olur.
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Apart from this ‘set piece’ the book leaves the usual film-inspired plot lines (megalomaniac wanting to take over the world) and moves into murkier waters. The original ‘dangles’ are being hunted down and killed by the KGB with their tongues cut out to send a clear message to MI6 not to mess with them. M sends Bond to find and protect the remaining two women and one man who have taken on new identities. In his attempts to do this he unravels a knotty puzzle involving double agents, the GRU (the military arm of the KGB), the old head of SMERSH and of course a beautiful woman. His travels take him first to Ireland and then to Hong Kong. There is a dollop of sexism and some mild racial stereotypes to cope with along the way, but in this respect Gardner mirrors Ian Fleming very well (whether this is a concerted effort is arguable). Google chrome 64 bit.
After COLONEL SUN (1968) by Kingsley Amis, John Gardner was the next writer to be asked to write further adventures of James Bond. He wrote, like Fleming, fourteen Bond books, plus novelisations of the films GOLDENEYE and LICENCE TO KILL, from 1981 to 1996. Before becoming an author of fiction in the early 1960s John Gardner was variously a stage magician, a Royal Marine officer, a journalist and, for a short time, a priest in the Church of England. 'Probably the biggest mistake I ever made,' he says. 'I confused the desire to please my father with a vocation which I soon found I did not have.' In all, Gardner had fifty-five novels to his credit - many of them bestsellers.
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